Panda Security announced the launch of their new 2012 consumer security products for homeusers. Panda Security has now come up with an exciting promotion which easily offers a Free license of New Panda Antivirus Pro 2012 for 6 months.

Panda Antivirus Pro 2012 offers the easiest and most intuitive protection for your computer ever. Install it and forget about viruses, spyware, rootkits, hackers and online fraud. Chat, share photos and videos, do online shopping and banking, read your favorite blogs or browse the web with total peace of mind and without interruptions.

Features:

• IMPROVED! Protection against all types of viruses and threats
  
• IMPROVED! Collective Intelligence – A new threat is identified and in a matter of seconds all Panda Security’s customers worldwide are protected.
  
• IMPROVED! Personal Firewall – Firewall with Wi-Fi security that blocks intruders and hackers, even in your wireless network.
  
• IMPROVED! Panda USB Vaccine – protects your PC and USB drive from infection.
  
• PLUS! Panda Safe Browser (Sandboxing) – Suspecting that a website is dangerous? Access it without risk through the Safe Browser.
  
• Live up-to-the-minute updates – Combined Collective Intelligence and traditional signature updates protects you against the newest and most dangerous threats with minimum bandwidth usage.
  
• IMPROVED! Panda SafeCD – Clean all types of malware from your computer if you cannot start Windows.
  

Supported OS: Windows 7 (32-bit and 64-bit), Windows Vista (32-bit and 64-bit) and Windows XP (32-bit)

To grab a Free 6 month (180 days) OEM license of Panda Antivirus Pro 2012, just visit Panda Facebook fan page at facebook.com/PandaUSA and click the ‘Like’ button. The Download it Now! button will turn green and you can then download the installer. Alternatively, if you don’t have a Facebook account then use the direct download link (http://acs.pandasoftware.com/marketing/promo/AP12_Facebook.exe) to get it.

With this tutorial I wanted to create a club flyer design that was not your typical “scantily clad” affair that appeals to the more discerning club goers. So, with a few easy Photoshop and Illustrator effects, and my preference for black and white elegance, I created this enigmatic and outer space type design.
Here is a preview of what we will be creating…

…and here are the source files.

Required Resources:Stock Source: http://browse.deviantart.com/
Swirl/Fractal Brush effect: http://www.brusheezy.com/brushes/1563-spirals-and-halftones
Organic Brushes: http://www.brusheezy.com/brushes/1652-tree-borders

Lets get started…

Step 1

Cut a path out of the girl’s profile from the stock resource (provided at the head of this article). Follow a direct line of the girl’s hair, eliminating the loose hair strands. When using the pathfinder tool on hair, it is much easier to choose a clean path than to try to cut out every hair strand. Plus it’s not necessary for this design that will have objects interacting with the girls face and head.

Step 2

Paste your profile image path into a new document. Your new PSD document should be 300dpi in a CMYK color format.

Step 3

Create a new background layer (black). Then choose desaturate from the adjustment menu to remove the color from the girls profile path.

Step 4

Use your curve options in the adjustment menu (ctrl+m). Adjust curves in the CMYK channel and bring more definition to your face image.

Step 5

Create a new layer from a copy of the girls head and hide the original girls head layer. Go to your filter menu and choose the gaussian blur option. Create a blur radius of approximately 39 pixels.

Step 6

Unhide your original girls head layer. Turn the opacity down from your gaussian blur layer to around 60%. This produces a soft-glow effect around the girls face.

Step 7

Open Illustrator and start creating your 3D shapes. Draw simple rectangle and triangles and turn them into 3D shapes by using your extrude and bevel feature in the effects menu. Add a perspective value to create depth.

Step 8

Add a stroke to some shapes and create some without any style or stroke. Experiment with the positioning of these shapes – rotating them and placing them in juxtapositions. You want to produce a group of shapes that look like they’re floating and rotating.

Step 9

Paste these shapes into your Photoshop document as a pixel layer. Rotate and resize as you go.

Step 10

Repeat this process – adding the shape layers behind the main face image.

Step 11

Paste large versions of your 3D shapes as background textures. Take the opacity down on these layers to 20%.

Step 12

Create a black layer on top of your background shapes. Go to filter>pixelate > mezzotint and set the mezzotint effect to “fine dots”. Bring the opacity down to 35%.

Step 13

Select your Swirl/Fractal Brushes (brush resource at the beginning of this article). Apply each brush as a new layer so that you can edit each brush pattern individually.

Step 14

Add more brush pattern around the neck and head. Experiment with the opacity of these and use your warp tool (edit>transform>warp) to alter the shapes to fit the composition.

Step 15

When you’re pleased with your spiral brush textures, grab some of the tree textures from our organic brush pack (brush resource at the beginning of this article). Make a new layer for the organic brush textures before adding them to the design.

Step 16

Add a few tree brush textures to your document. Then go to filter>distort>wave and adjust your variables to create a wave effect. The wave filter can be temperamental, so you’ll have to play around with the variables until you get the right result.

Step 17

Create a few layers using this same wave effect. Again, there’s a certain amount of experimentation required in the position and placement of these swirls before merging them into one layer. Once you’re happy with the effect and position, merge them, and grab your circular marquee tool from your tools menu. Draw a circle over a selected area.

Step 18

Invert your marquee selection (shift+ctrl+i) and delete.

Step 19

Repeat step 16 through 18 and create more swirly wave-ball effects. Place the wave-balls around the edges of your document. Add a drop shadow effect (layer>layer style>drop shadow.)

Step 20

Add more organic brush effects around the girl’s hair. Use the circular marquee tool to cut simple “black hole” spaces out of the brush texture – following the natural flow of the girl’s pinned-back hair.

Step 21

Create a circular pattern of receding tones and shapes by overlaying black to white colors. Copy and paste this into Photoshop as a pixel shape.

Step 22

Go to your filter menu and choose gaussian blur. Set the blur radius to around 17 pixels. This action turns the crude vector shape into a realistic 3D circle.

Step 23

Add a dark stroke effect to the 3D circle (layer>layer style>stroke) to give a sharp definition to the shape edge. Set the stroke size to 5px with a 44% opacity.

Step 24

Copy, paste, resize, and place your ball shapes in your design space. Experiment with differing opacities to create bubble effects.

Step 25

Draw a white rectangle in your design space. Go to filter>pixelate>mosaic to add a simple fractured image effect.

Step 26

Rotate your rectangle effect and place it at the edge of your document. Copy, flip, and paste your rectangular shape the opposing corner of your document. Reduce the opacities of these layers to around 70%.

Step 27

Add some lighting texture to your design. Select your gradient tool and choose the “white-to clear” effect from your gradient menu. Set the gradient range to a circular pattern. Drag the gradient from the edges of your document to the center.

Step 28

Time to strip the bluish hue from her face and to convert your design to a true black and white image (To optimize black and white documents for print, I always design in CMYK mode before converting to grayscale) select the mode menu and change the document to grayscale.

Step 29

Once the file has been converted to grayscale, you can add some deep contrast to the design via your curves adjustment layer (click on the half-moon icon at the bottom of your layers menu and select curves.) Drag the curve pointers until you are pleased with the more intense black and white contrast produced.

Step 30 – Finished!

I hope you enjoyed this tutorial :-)

It’s election season! Time for graphic designers to start helping clients design posters for their upcoming campaigns. It’s a great time to be a designer as each and every city has candidates making their run for spots.
Using Live Trace and Live Paint in Illustrator makes stylized posters an easy task. This tutorial walks you through how to quickly make stylized posters that are vector based. This lets you use and re-use designs in various sizes – billboards to coffee mugs to bumper stickers.
To avoid any political discussions, we’ve decided to stick with a design for everyone’s favorite would-be candidate: the inimitable, all-around nice guy Tim Tebow.

Step 1 – Getting Started

Using the Tim Tebow image, open it in Photoshop as we need to clean it up before Live Trace work can be done. Open the Three Color Photoshop Action and run it using Window -> Actions.

The result is four layers: the original and three colors.

Step 2 – Clean Up

The Three Color Photoshop Action does a great job of getting us most of the way to where we want to go before importing into Illustrator and starting our Live Trace work. But we have some cleanup to do. This is necessary to make sure that the image is clear enough once we drop it into Illustrator. It’s easier to touch it up in Photoshop before having to edit large Live Trace pieces.
We’re going to play it safe and use the Vector Mask for clean up. With the white layer selected (Layer 3 in our example), click the Add Vector Mask button and use the Brush Tool to clean up any white areas you don’t want. I hid the black layer (Layer 2) to make it easier for me to see what I was doing.

Make a new layer above Layer 2 and use a black Brush to fill in any areas you don’t want (I used red so you could see generally where I added black).

Add another layer above your black cleanup layer. I’m going to add some details back into his hair above his right ear to demonstrate the technique. You can do as much of this type of cleanup as needed to restore definition.

Lastly, I’m going to add some white to the image in the areas such as the eyes and other facial features. This will help Live Trace retain the details later. I made a layer on top of the White Base layer for this work. I hid the Gray Base layer so you could see where I did the touch ups.

Step 3 – Prep for Illustrator

After you touch up to your heart’s content, it’s time to finalize the image for import into Illustrator. You should save your work. Make sure all the layers you want are visible, then right-click on any layer in the Layers panel and select "Flatten Image".

Save As whatever you like, but make sure you save it in a location that is easy to find. And now we’re ready to get started in Illustrator!

Step 4 – Illustrator Setup

I started with a poster design that is 11×17. I chose the 11×17 size because it works great for just about any poster size. You can easily shrink the design to an 8×10 with small changes to the layout to make it work. Or you can expand up to various sizes. It’s a nice middle-road approach. So open up Illustrator and create a new document with the following settings:

Step 5 – Place Image

Use the File -> Place feature to put the newly doctored photo of Tebow on your Artboard and resize to fit. You can see the exact placement I used below. Just open the Window -> Info panel.

Step 6 – Import Color Palette

Open the Broncos.ase file from above or create a color palette you want, save it, and open it so that it opens in a new Panel. In the Swatches window, click the fly-out menu -> Open Swatch Library -> Other Library (not shown) to get the new panel opens. This is an important step to ensure that your colors are available when you perform the Live Trace!

The ability to use a specific color palette is an amazing piece of the Live Trace tool that most people don’t know about. This means if you are working with a specific brand definition that includes pre-established colors, just save the color swatches as an .ASE file and open the panel before running Live Trace.

Step 7 – Live Trace

With your image selected, go to Object -> Live Trace -> Tracing Options.

Use the following settings. Note that the color Broncos colors in the Palette settings is only available if the Swatch Library has been opened.

The Live Trace should look pretty close to this:

Step 8 – White House

We are going to repeat the process on the White House image, which will be positioned below Tebow in the final piece. Open the White House photo in Photoshop and run the Three Color Photoshop Action.

Step 9 – Cleaning Up the White House

If only cleaning up the White House were so easy as this! Because this image has so much detail, it will compete with the Tebow image in the final composition. So we are going to tone this down a bit using the same techniques we used earlier. The white layer is our primary culprit, so add a Vector Mask and use the Brush to clean the areas as shown below. As you can see, it quite a bit of the white layer we are masking out.

Step 10 – Flatten and Place in Illustrator

Same as before – just flatten the image and save it to a location you’ll remember. In Illustrator, Place it as shown:

Step 11 – Live Trace

Same as before, with the White House photo selected, go to Object -> Live Trace -> Tracing Options and apply the following settings:

When complete, your poster should look like this so far:

Step 12 – Arrange

Bring the Tebow picture to the foreground by going to the Layers palette and arranging it to be on top. I also moved the White House down and Tebow up a bit.

Step 13 – Live Paint

With the White House Photo selected, grab your Live Paint Bucket and select a white foreground color. We want to paint the sky above the White House white to blend it better with Tebow’s jersey. If you hover the Live Paint Bucket over the image, you can see a trace of where it will be painting. You will be prompted to commit your changes to the Live Trace at this point.

Step 14 – Eraser Cleanup

Select the Tebow layer and at the top select the "Expand" button or got to Object -> Expand. This commits your Live Trace.

In the same area that the Expand button was will now appear a new set of options. One of those is Opacity. Back that down to 33% so you can see what you are cleaning up. Then use the Eraser Tool to erase around the tree on his shoulder on the left side of the image.

Put the opacity back to 100% before moving forward.

Step 15 – Typography

Before adding any typography and other elements, make a new layer on top of the images you’ve already placed. This will give you a lot more flexibility later and keep you organized as well. Using the font Impact at 120pt, I put "Tim Tebow" across the top of the poster using white foreground color and 1px orange stroke.

On the same layer, put President and 2012, but I used an orange foreground color and blue stroke this time.

Step 16 – Design Elements

Using the Rectangle Tool, I built a box around the "President 2012" type. Make sure the widths are all the same for each of the sides. This helps set the text off better in this busy area of the design.

Grab the Star Tool (in the Square Tool menu) and make the foreground color white and stroke orange. I spaced these evenly by making the first one, selecting it, copy, then paste-in-place (CTRL + Shift + V). Then hit Shift + Arrow keys to move the shape. Use the same amount of clicks on the arrow key for each star.

Step 17 – Texture

Make a new layer on top of the Typography layer. Place the Textured Paper image in this layer (File -> Place). Fit it to the height and width of your Artboard.

Go to Window -> Transparency. With the Textured Paper image selected, change the blending mode to "Multiply" and the Opacity to 75%

And you’re done!

Here’s the final image. Click to see the full 11×17 version:

About the Author: Tara Horner

Tara Hornor has a degree in English and writes about marketing, advertising, branding, graphic design, and desktop publishing. She works for PrintPlace.com, an online printing company that offers brochures, posters, postcards, business cards and more printed marketing media. In addition to her writing career, Tara also enjoys spending time with her husband and two children.